Light Attack – Susan Bein – Portland, Oregon, Usa


I took it while waiting in an ugly office. The only thing that was nice was this stream of light, and I wanted to capture its beauty, so my solution was to blur it to reduce it to its essence. It made my wait worthwhile, and allowed me to be ‘in the moment’ and creative in a very non-creative environment while doing a very pedestrian thing, waiting for a bureaucrat to shuffle papers. For me it’s about finding a speck of beauty in the quotidian.


Out of focus can be such a nuisance for the eye that sometimes photographer’s intentions get as blurred as the image, this is not the case. Susan goes straight to the point and steals light it’s essence: a beautifully painted bright ray. The idea, and the result, is definitely in focus.

OPENING – Aurélien Foucault


Opening – Aurélien Foucault a.k.a. Фуко – Beijing, China


My family and I have just moved to China and this picture was taken during our apartment hunting in Beijing. We had visited so many places and started to feel desperate. During one of these visits, we walked past that little ray of sunshine and the contrast between it’s softness and the decaying wire fence just hit me.
So I took out my phone and snapped that picture with the Hipstamatic App.
I don’t often take my heavy camera gear with me when I’ve got things to do in the city, so my phone has become the “on the spot” camera.
My “serious” photography work is done with medium-format cameras (Arax & Mamiya) and a digital Nikon.
I never edit pictures coming out of the phone because the resolution is just too low.


See, imagine, shoot is the usual photographers’ protocol, which hasn’t changed since. When technology gave us good enough cameras in mobile smart phones and editing dedicated applications, creative photographers began to drop bulky equipment for iPhones or similar, not as an alternative, but as a new fun and catch-the-emotions gadgets. iPhoneography is called the photography made with the iPhone; the cons: low resolution, minimal editing mainly done by choosing apps presets; the pros: creative freedom, easy sharing.

Here, the trained eye of Фуко transforms a dull cut in the fence into a message of hope.

WE sat in the SUN

Buenos Aires: a table by the window in the noon sunlight, we sat and chat.

app: instagram / filter: toaster

LEAVES at their best – FALL colors


Few things define Fall like the changing colors of leaves, enlivening a dull green that lasted too many months. The sharp an clean light passes through them disclosing unknown transparency and brilliant life.



“There’s a series of skies where I’ll pick a place on a map, like a Rand McNally map, and go to that place and photograph the sky. What’s in the photograph is not clouds, there’s no horizon line. There’s nothing in there. It’s really atmosphere, light. My idea was that the photographs become a Rorschachs. What gives it its conceptual meaning is the name of the place. Each of the places is keyed by where I took it.”

Richard Misrach

“Not since Alfred Stieglitz photographed clouds in the 1920s has a photographer made so much of the earth’s atmosphere and precious little else …. the results are as emotionally evocative as Stieglitz wanted his cloud “Equivalents” to be, and as purified of quotidian reality as any painting by Mark Rothko or Robert Motherwell.

NYT Book Review

Skies wider than imagination and colors that defy man’s memories: Misrach’s images are broadening the perception of the sky and giving it an identity. It’s the methaphor of a travel toward the quiet meditation, the impulse to fall in a Real image.

Michele Molinari

all images © Richard Misrach

buy The Sky Book

combination of BLUE and COLORS – Valparaiso

Paris – C’était le MOIS de la PHOTO

– It was the Month of Photography – is a free study on Paris, done during the Mois.

The photographer, wandering the city from one exhibition to the other, shoots a not iconic yet recognizable Paris.

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